000			02061cam a2200361 i 4500
999			_c18854 _d18854
001			19009822
008			160310s2015 inua b 001 0 eng d
010			_a 2016304192
020			_a9780253016294 (pbk.)
020			_a0253016290 (pbk.)
020			_z9780253016409 (electronic bk.)
020			_z0253016401 (electronic bk.)
020			_a9780253016256 (hbk.)
020			_a0253016258 (hbk.)
040			_aMEU _beng _cMEU _erda _dYDXCP _dOCLCO _dBTCTA _dBDX _dDEBBG _dCDX _dOCLCO _dGZM _dNYP _dOCLCO _dRBN _dOCLCO _dOCLCQ _dOCLCO _dDLC
050	0	0	_aDT14 _b.K75 2015
082	0	4	_a960 _222
100	1		_aKrings, Matthias, _d1967 September 26- _eauthor.
245	1	0	_aAfrican appropriations : _bcultural difference, mimesis, and media / _cMatthias Krings.
264		1	_aBloomington, Indiana : _bIndiana University Press, _c[2015]
300			_axii, 311 pages : _billustrations ; _c24 cm.
336			_atext _btxt _2rdacontent
520			_aWhy would a Hollywood film become a Nigerian video remake, a Tanzanian comic book, or a Congolese music video? Matthias Krings explores the myriad ways Africans respond to the relentless onslaught of global culture. He seeks out places where they have adapted pervasive cultural forms to their own purposes as photo novels, comic books, songs, posters, and even scam letters. These African appropriations reveal the broad scope of cultural mediation that is characteristic of our hyperlinked age. Krings argues that there is no longer an "original" or "faithful copy," but only endless transformations that thrive in the fertile ground of African popular culture.
650		0	_aMass media and culture _zAfrica.
650		0	_aMass media _xSocial aspects _zAfrica.
650		0	_aVideo recordings industry _zAfrica _xWestern influences.
650		0	_aMotion picture industry _zAfrica _xWestern influences.
650		7	_aHISTORY _zAfrica _xGeneral. _2bisacsh
650	0	7	_aAnpassung. _2gnd _0(DE-588)4128128-7
650	0	7	_aMassenkultur. _2gnd _0(DE-588)4125858-7
650	0	7	_aRezeption. _2gnd _0(DE-588)4049716-1
942			_2ddc _cBK